The Maybe Man Tour
The Maybe Man Tour was a US concert tour promoting the band's 5th studio album of the same name, The Maybe Man. The concert features songs from the album, alongside songs from past albums. The first leg started in Philadelphia, Pennsylvania. However, it was initially planned to start in Norfolk, Virginia but was postponed due to unforeseen venue limitations. The second leg started in Japan with two shows, and one ending in South Korea.
Album Release Show[]
On November 12, 2023, for the album's release. AJR set a release show concert in Irving, New York. The concert is a half-baked version of what would become The Maybe Man Tour.
- There were no stunt performances.
- Inertia was performed without the orchestral intro.
- Don't Throw Out My Legos was reused as the song breakdown for the show instead of Way Less Sad.
- The Dumb Song was performed, which was only performed in a couple of shows in the actual tour.
- I Won't was performed without the Birthday Party mashup.
- All of the returning songs reused visuals from previous tours.
- All of the TMM songs (besides I Won’t and The Dumb Song) all had new visuals that were only used once.
- Though on the subject of that, Maybe Man and The DJ is Crying for Help keep their visuals used here in the real tour.
| No. | Song Title | Album |
|---|---|---|
| 1 | Maybe Man (live debut) | The Maybe Man |
| 2 | Touchy Feely Fool | The Maybe Man |
| 3 | Burn The House Down | The Click (Deluxe Edition) |
| 4 | Sober Up | The Click |
| 5 | Yes I'm A Mess | The Maybe Man |
| 6 | The Dumb Song | The Maybe Man |
| 7 | 100 Bad Days | Neotheater |
| 8 | The DJ Is Crying For Help (live debut) | The Maybe Man |
| 9 | World's Smallest Violin | OK ORCHESTRA |
| 10 | I Won't | The Maybe Man |
| 11 | The Good Part | The Click |
| 12 | Inertia | The Maybe Man |
| 13 | How We Made: Don't Throw Out My Legos | Neotheater |
| 14 | Steve's Going To London | The Maybe Man |
| 15 | Bang! | OK ORCHESTRA |
| 16 | 2085 (live debut/partial) | The Maybe Man |
| 17 | Weak/2085 (encore) | The Click/The Maybe Man |
The Maybe Man Tour (US)[]
From April to August 2024, The Maybe Man Tour had venues all over the US. It was as high of a budget as their previous album tours. The tour's set list is similar to the Album Release Show, with some big-budget changes.
| No. | Song Title | Album | Notes |
|---|---|---|---|
| 1 | Maybe Man (live debut) | The Maybe Man | A disembodied voice (Credited as "voice of God") asks the audience where they would go if they could snap their fingers and go anywhere, listing various places and ideas before naming the current venue in which the show is being performed, stating that you can be surrounded by people who "for once, like all the same shit you do." The voice decides to go there and snaps his fingers, beginning the song. Clones of Jack appear around the stage, with a spotlight focusing on one for each stanza creating the illusion of Jack teleporting. Starting from the third stanza, illustrations appear on the screens depicting the subject of the verse (ex, a dog, a brain, etc.)
The final verse is cut for time, instead transitioning into the ending from the line "I'd never know who the hell I am." Lights illuminate all of the Jack "clones," revealing the illusion before the real band pops out from beneath the floor accompanied by a dazzling vortex of colorful musical imagery. Chris, Arnetta, Ryan and Ginny are spotlighted for a brief moment each during the respective segments highlighting the drums, trumpet, piano, and violin. |
| 4 | Sober Up | The Click | Drums and guitar chords lead in directly from the end of Maybe Man as Jack greets the audience and receives a guitar. The background consists of a colorful orb that melts into a rolling landscape of neon shapes. Ryan sings the bridge. |
| 2 | Yes I'm A Mess | The Maybe Man | An orchestral rendition of the intro reminiscent of a superhero's theme leads into the song. Jack walks on a treadmill in front of visuals of a suburban street before it switches to an office space. Jack is hidden by the screen for the first chorus, which is slightly extended.
An elevator appears, and "Jack" rises from the floor, pushing a button. "Jack" sinks back into the floor and the visuals zoom upward, revealing the real Jack now above the screen, who continues walking as he sings the second verse, creating the illusion of walking along rooftops. The visuals onscreen change, making Jack appear to ride a bike, ski, and drive a car. The car "explodes" as the song ends. |
| 3 | I Won't/Birthday Party (mashup) | The Maybe Man/Neotheater | Ryan mentions that this mashup was based on a mashup video he saw on YouTube. The video was from 1 Sip, Bad For Me.[1] The first two verses and choruses of I Won't are performed to the instrumental of Birthday Party accompanied by visuals of rings radiating out from themselves. The bridge of Birthday Party is then played with Jack's voice autotuned, then the chorus of Birthday Party and ending by combining the first verse of I Won't with the last of Birthday Party. |
| 4 | The DJ Is Crying For Help | The Maybe Man | Jack sings the first chorus with artificial harmony before sinking into the floor. The stage is bathed in purple light as Ginny is given the spotlight, playing the violin. When the second chorus drops, bright lasers shoot out across the venue in addition to the static-like visuals. |
| 5 | God Is Really Real (live debut) | The Maybe Man | Jack performs the song with the guitar, and the visuals consist of video footage of Jack playing in real time without color. The song begins with its chorus and the second verse is cut. |
| 6 | The Good Part | The Click | The song begins with a point-of-view cinematic of Jack walking up to a soundboard and taking a drink. His hands grow, and he begins playing the soundboard, creating distorted effects until his hands return to normal. From there, he creates the beat of The Good Part which leads into the song. The second verse is cut for time. The visuals consist of grayscale trees which turn red during the chorus, reminiscent of Ok Orchestra's cover art. |
| 7 | Bang! | OK ORCHESTRA | A curtain drops behind Jack, and a red light shines on him, casting his shadow on the curtain. Adam plays alongside him for the chorus until he and Ryan approach the light, appearing to use their hands to create shadow puppets. The bridge is extended with new instrumental, accompanied by Jack playing the drums with his shadow. His shadow suddenly begins acting on its own and playing different instruments. It plays the cowbell for a long while until Jack reaches forward, using his shadow to take it away. The shadow holds up signs counting down from 10 until the curtain drops, revealing visuals of many humanoid shadows playing drums in front of a fiery background. |
| 8 | Inertia | The Maybe Man | The song's intro is orchestrated, or as Ryan puts it, “More broadway sounding”. The song also concludes with a light orchestrated outro which leads into Touchy Feely Fool. |
| 9 | Touchy Feely Fool | The Maybe Man | The set turns into a spaceship as its traveling to outer space. Actors in astronaut suits can be seen at the back. The outro is shortened slightly. |
| 10 | Karma | Neotheater | Another POV cinematics plays, showing Jack on stage. The stage collapses beneath him and the crowd begins floating, holding signs reading "Play Karma." Jack is shown floating in space. As the song progresses, he starts falling back down to Earth. The second verse is cut, leading into the bridge which has Jack being blown around by the wind. In the bridge, he carries helium balloons until they all pop and Jack continues his descent. The song ends just before he hits the ground. |
| 11 | Turning Out/p. ii/p. iii (medley) | The Click, Neotheater, The Maybe Man | Ryan sings the first verse and chorus of the first 2 parts solo on the piano, and sings the entirety of part 3 with Ginny on violin as the rest of the band makes their way to the crowd. |
| 12 | World's Smallest Violin | OK ORCHESTRA | The band performs on the venue's bleaches. Ryan and Ginny make it to the rest of the band just in time for the ending. |
| 13 | Steve's Going To London | The Maybe Man | The band plays the first verse and chorus together. The rest begin to leave during the second verse, leaving Jack with Arnetta. Arnetta leaves during the Bridge, leaving Jack alone until the final chorus, where the band reveals themselves back on stage. The build-up to the final chorus is extended as Jack hurries back to stage, while Adam introduces the band, giving Ginny, Arnetta, and Chris time to do brief solos. Jack returns for the final chorus, playing the banjo. |
| 14 | Burn The House Down | The Click (Deluxe Edition) | The song with some fire effects in the background. |
| 15 | How We Made: Way Less Sad | OK ORCHESTRA | Ryan tells stories of going to dinner and the library with Jack, and home videos which inspired parts of the beat and melody. The second verse is cut, and Jack's voice is autotuned during the bridge. |
| 16 | Don't Throw Out My Legos | Neotheater | The visuals are reminiscent of the exteriors apartment buildings, with their windows lighting up in various patterns. |
| The Dumb Song | The Maybe Man | In venues where the concert is played twice, The Dumb Song is played instead of Don't Throw Out My Legos. The second verse is cut. | |
| 17 | 100 Bad Days | Neotheater | The song is played as normal, with the visuals reminiscent of blue light shining through rectangular prisms. Before the bridge, one light begins flickering before falling to the stage with a loud crash. The house lights come on and Ryan insists it is not part of the show, claiming there's broken glass all over the stage. A "cleanup crew" arrives, and the music begins fading back in before one is revealed to be Jack in disguise. The final chorus kicks back in, now accompanied by green lights and lasers as the phrase "It WAS part of the show" flashes above the stage. |
| 18 | Weak/2085 (encore) | The Click/The Maybe Man | A final POV cinematic plays, looking through Jack's eyes as he looks in the mirror backstage. He begins to grow, and sees his own giant eye staring back at him from the mirror. Ryan knocks, and he returns to normal, grabbing his guitar as 2085's instrumentals fade in. Visuals reminiscent of The Maybe Man's cover art fade in as the band gathers on stage, surprising the audience by suddenly singing Weak. The TMM visuals become pulsing neon colors as the band sings the first two verses and choruses, transitioning into 2085 where the bridge would be. |
| 19 | 2085 (live debut/partial) | The Maybe Man | Live footage showing the band and audience is shown in the center of the screen as the song is performed. When the bridge begins, a curtain falls over the whole stage, lighting up blue. Jack stops the song to give a speech. He talks about the hate the band has received throughout the career, from bullies and critics and record labels. He said it was their late father who kept them going. Jack talks about how their father was always unapologetically himself, and before his passing, told him to never waste time not being the biggest versions of themselves.
Jack begins singing the Maybe Man part of 2085, walking behind the curtain. His silhouette begins to grow larger and larger until the curtain drops, revealing a giant animatronic version of Jack. As the song approaches its ending, the real Jack rises from beneath the stage. He throws his hat out to the audience, and the brothers take a bow. The lights dim and come back to reveal the brothers have disappeared. |
The Maybe Man Tour (Seoul, South Korea)[]
In the second leg of the tour, AJR traveled to South Korea and Japan to perform a modified version of the tour. Due to stage limitations, only a few songs had stunts and some that did were changed to fit with limitations.
| No. | Song Title | Album | Notes |
|---|---|---|---|
| 1 | Maybe Man (ending) | The Maybe Man | After the narrator snaps his fingers, it immediately skips to the end of Maybe Man. |
| 4 | Sober Up | The Click | |
| 2 | Yes I'm A Mess | The Maybe Man | The set instead was taken from a reskinned 3 O'Clock Things from the OK ORCHESTRA Tour. The lack of a treadmill also meant Jack had to pretend to walk. These visuals were also used in Milwaukee. |
| 3 | I Won't/Birthday Party (mashup) | The Maybe Man/Neotheater | |
| 4 | The DJ Is Crying For Help | The Maybe Man | |
| 6 | The Good Part | The Click | The point-of-view of Jack was cut. The song starts with Jack just playing the drum pad. |
| 7 | 100 Bad Days | Neotheater | The fake light segment was cut. |
| 8 | Inertia | The Maybe Man | |
| 9 | Touchy Feely Fool | The Maybe Man | The set is the same. However, the astronaut actors are not present |
| 10 | Karma | Neotheater | The set is the same, but Jack is no longer floating. The rest of the band is also visible. |
| 11 | Turning Out/p. ii/p. iii (medley) | The Click, Neotheater, The Maybe Man | |
| 12 | World's Smallest Violin | OK ORCHESTRA | |
| 13 | Steve's Going To London | The Maybe Man | Ryan was the one to introduce the band members from Adam's absense. Vinny was also not there to do her violin solo. |
| 14 | Burn The House Down | The Click (Deluxe Edition) | |
| 15 | How We Made: Way Less Sad | OK ORCHESTRA | With stage limitations, all the props were placed in the center instead. |
| 16 | The Dumb Song | The Maybe Man | |
| 17 | Bang! | OK ORCHESTRA | With Adam's absence, Arnetta fills in his role of the shadow puppets. |
| 18 | Weak (finale) | The Click | The finale does not include 2085, Jack's speech, and giant Jack. The concert ends with a marching band similarly from The Click Tour. |
Tour Dates[]
| Tour Dates |
|---|
|
The tour dates are as follows: April 3 Wells Fargo Center Philadelphia, PA April 4 TD Garden Boston, MA April 6 XL Center Hartford, CT April 7 CFG Bank Arena Baltimore, MD April 9 PNC Arena Raleigh, NC April 10 Spectrum Center Charlotte, NC April 12 Gainbridge Fieldhouse Indianapolis, IN April 13 KFC Yum! Center Louisville, KY April 14 Van Andel Arena Grand Rapids, MI April 16 Wells Fargo Arena Des Moines, IA April 17 Xcel Energy Center Minneapolis, MN April 19 T-Mobile Center Kansas City, MO April 23 ExtraMile Arena Boise, ID April 24 Moda Center Portland, OR April 26 Climate Pledge Arena Seattle, WA April 29 Chase Center San Francisco, CA May 1 Pechanga Arena San Diego, CA May 4 Paycom Center Oklahoma City, OK May 7 Moody Center Austin, TX May 9 Amalie Arena Tampa, FL May 10 Amway Center Orlando, FL May 12 Vystar Veterans Memorial Arena Jacksonville, FL May 14 Hard Rock Live Hollywood, FL June 23 Scope Arena Norfolk, VA June 25 PPG Paints Arena Pittsburgh, PA June 27 Rocket Mortgage Fieldhouse Cleveland, OH June 28 Nationwide Arena Columbus, OH June 29 Allstate Arena Chicago, IL June 30 Little Caesars Arena Detroit, MI July 3 Allstate Arena Chicago, IL July 4 Summerfest Milwaukee, WI July 6 Enterprise Center St. Louis, MO July 9 Toyota Center Houston, TX July 10 Dickies Arena Dallas, TX July 12 Footprint Center Phoenix, AZ July 14 The Kia Forum Los Angeles, CA July 16 Delta Center Salt Lake City, UT July 17 Delta Center Salt Lake City, UT July 18 Ball Arena Denver, CO July 20 Ball Arena Denver, CO July 21 Chi Health Center Omaha Omaha, NE July 23 Heritage Bank Center Cincinnati, OH July 25 Wells Fargo Center Philadelphia, PA July 26 Madison Square Garden New York City, NY July 27 Madison Square Garden New York City, NY July 30 State Farm Arena Atlanta, GA July 31 Bridgestone Arena Nashville, TN August 2 Capital One Arena Washington, DC August 3 TD Garden Boston, MA August 20 Jamsil Indoor Stadium Seoul, KOR |
Videos[]
Tour Livestream Credits[]
| TMM Tour Livestream Credits |
|---|
|
Directed by Ryan, Jack, and Adam Met Concert Film Directed and Produced by Hidden Road Studios Livestream Audio Mix by Gerald Albo Livestream Production by Moment by Patreon Sam Berger Arjun Mehta Nigel Egrari Jon Rast Production Design & Creative Direction: Mitchell Schellenger Lighting Design: Ezra Donellan Laser Design: George Dodworth Puppet Design and Build: Encirco Studios Screen Content Design: Lightborne Studios, 5Towns, DEMUNY, Schneider Visuals, STATION SIX, Dark Matter Technologies Screens Programming: Ryan Shepard, Josh Beaven CAST Jack Met - Himself, Ryan Met - Himself, Adam Met - Himself, Chris Berry - Drummer, Arnetta Johnson - Trumpet, Ginny Luke - Violin/Cello, Genevieve Flati - Puppeteer 1, Yanniv Frank - Puppeteer 2, Ryne Storm - Puppeteer 3, Austin Roa - Extra 1, Noah SIlverman - Extra 2, George Cannon - Extra 3, Ryan Harding - Extra 4, Michael Mangan Jr. - Extra 5, Genevieve Flati - Extra 6, Yanniv Frank - Extra 7, Ryne Storm - Extra 8, Morgan “Momo” Jensen - Extra 9 FILM CREW Tom Kirk - Director, Rowan Glenn - Producer, Hidden Road Studios - Editing & Post-Production, John Barrett - Director of Photography, Aly Spengler - Camera Operator, Ian Mosley-Duffy - Camera Operator, Jim Mundel - Jib Operator, Ryan Klimchock - Jib Technician, Mike Gallagher - Drone Operator, Darby Irrgang - Camera Assistant, Jake Kressly - Camera Assistant, Richie Myers - DIT TOUR CREW Keith Albrizzi - Tour Manager, Bryon “Hot Dog” Tate - Production Manager, Bill Rengstl - Rigging Director, Claudine Andrews - Production Coordinator, Jeremiah Anderson - Stage Manager, John “Badge” Chidley - Stage Manager, Ryan Snyder - Stage Manager, Jimmy Lee Brazzel - Dock Master, Ezra Donellan - Lighting Director/Programmer, Dougal Dolhagaray - Lighting, Sonny Oyler - Rigger, Kurt Mclaughlin - Rigger, Maika “Warrior” Brummett - Rigger, Max Nicoll - Rigger, Kevin Coleman - Carpenter, Robert Piccione - Playback Tech, Dane Hagen - Guitar Tech, Cody Clark - Drum Tech (Rehearsal Only), George Cannon - Tour Management Assistant, Genevieve Flati - Puppeteer/Props/Wardrobe, Yanniv Frank - Puppeteer/Props/Wardrobe, Ryne Storm - Puppeteer/Props/Wardrobe, Cat Capps - Wardrobe Assist, Gerald Albo - Front of House Mixer, Erik Rodstol - Monitor Mixer, Micheal Grabarczyk - Audio Engineer/Crew Chief, Noah Silverman - Audio System Engineer, Ryan Harding - Audio PA Tech, Jeffrey Metter - Lighting Crew Chief, Bryan Marks - Lighting Tech, Chelsea Opdyke - Lighting Tech, Chazz Malott - Lighting Tech, Kathryn Boyles - Lighting Tech, Jonathon Tosado - Lighting Tech, Stan Kellam - Video Director, Casey Tackett - Video Systems Engineer, Gil Martin - LED Engineer/Crew Chief, Kevin Aguirre - LED Tech, George Aguirre - LED Tech, Jordan Tarquino - Camera Operator / LED, Tyler Bailey - Camera Operator / LED, Justin Fortier - Media Server Operator, Marcus Taylor - Projectionist, Tim McCarthy - Automation Crew Chief, Richard Perkin - Automation Operator, Robert Molina - Automation Tech (Performer Flying), Sydney Fansler - Automation Tech, Josh Brewer - Automation Tech, Brandon Dzurino - Laser/SFX Tech, Austin Roa - Videographer, Kate Cummings - Photographer, Jacob Lenore - Live Nation Tour Rep, Joshua Markham - Tour Merchandise Rep, Morgan Jensen - VIP Road Rep, Caleb Johnson - Reverb Rep, Claudine Andrews - Road Logistics, Mike Kindler - Truck Driver, Greg Fisher - Truck Driver, Sharon Zakro - Truck Driver, Bobby Riedell - Truck Driver, Mike Puckett - Truck Driver, Ronda Rogers - Truck Driver, Daniel Davis - Truck Driver, Tom Ivie - Truck Driver, Steve Mesh - Truck Driver, Mike Reed - Truck Driver, Scott Lauer - Truck Driver, Randy Dixon - Bus Driver, Dave Harper - Bus Driver, Carlo Marino - Bus Driver, Stephen Bazinet - Bus Driver, Chris Sims - Bus Driver, Olly - Good Boy INSTRUMENT VENDORS Scott Liken - Istanbul Agop Cymbals, Eric Gross - Vic Firth Sticks, Aaron Vishria - Evans Drum Heads VIDEO CONTENT DESIGN Lightborne: Ryan McAllister - Executive Creative Director, Duncan Friend - Associate Creative Director, Austin Winters - Producer, Elizabeth Carrigan - Associate Producer, Rob Engel - Senior Designer / Animator, Andy Erb - Designer / Animator, Bryan Johnson - Designer / Animator, Austin Wydra - Designer / Animator, Austin Lutz - Designer / Animator, Erica Kerman - Technical / Animation Assistant, Brad Grawe - Senior Editor, Jared Ziegler - Senior Designer / Animator, Jonathan Kilberg - Assistant Editor, Ryan Elliot - Colorist / Director of Photography Dark Matter Technologies: Sean Wells, Ryan Sheppard, Josh Beaven STATION SIX: Mitchell Schellenger, Evan Alexander, Sam Suyko, Hamza Zunaik, Even Schneider 5Towns: Edoardo Ranaboldo, Jagger Corcione, Nem Fisher, Rebekah Strauss, Noah Kim, Santiago Vanessa, Kristoff Bishop, Bruno Aponte, Jesse Bronstein, Mars Alba PUPPET PRODUTION: Patricio Wolovich, Brian Westgat, James Hall, Jack Kendal, Katheryn Molloy, Marisol Wolovich, Gabriella Padilla, Arthur J.Esposito, Shawn Woodruff, Megan Kallevig, Christian Anderson, Wiely Enders VOICEOVER WORK: Kevin Urban TOUR PARTNERS William Morris Endeavor Agency (US): Peter Schwartz, Ben Totis, Ron Opaleski, John Adams Alex Maxwell Live Nation Promoter, Alexis Newmark Live Nation Marketing, Rachel Liu Live Nation Marketing, Tom Donnell Merch Traffic, Marisa Boras Merch Traffic, Sydney Yuman Rooftop Management, Troy Shelton Gryscl Entertainment AJR PRODUCTIONS: Steve Greenberg, Joshua Russak, Mel Spiegel BUSINESS MANAGEMENT: Patrick Templeman, Justin Sauer, Sarah Carroll LEGAL COUNSEL: Jamie Young, Grant Arnow, Lisa Rogell SOCAIL MEDIA: Justin Kay PUBLICITY: Allison Elbl, Alexa Price GUEST APPEARANCES BY: Dean Lewis, mxmtoon, Almost Monday PRODUCTION VENDORS: Shaun Clair - Clair Audio, Justin Weaver - Clair Audio, Cliff Skinner - Clair Audio, Brain Levine - TAIT Staging, Butch Allen - TAIT Staging, Amber Steffey - TAIT Staging, David Haskell - Gateway, Adam Ellis - Gateway, George Dodworth - Lightwave, Marianne Lopez - Sew What?, Molly Wilson - Breeze Coach, Courtney Somerville - Breeze Coach, Nick Weathers - Ego Trips SPECIAL THANKS: Amy Gaio and Aaron Aguirre at Rock Lititz, Hotel Rock Lititz, Joe McMonagle and Brian Shaughnessy at Atomic, Boulevard Carroll, Terry Frechette, and David Hoffman with Blackmagic Design, Heatehr Storm and the Giant Center team in Hershey, PA, Gary Peterson and Jim Turner at Encore Cases, June Witmer, Reni Baitenmann, Mercury Records, BMG SOUNDTRACK “MAYBE MAN” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “SOBER UP” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “YES I’M A MESS” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “I WON’T” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “BIRTHDAY PARTY” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “THE DJ IS CRYING FOR HELP” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “THE GOOD PART” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “BANG!” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “INERTIA” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “TOUCHY FEELY FOOL” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “KARMA” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “TURNING OUT MEDLEY” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met “WORLDS SMALLEST VIOLIN” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “STEVE’S GOING TO LONDON” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “GOD IS REALLY REAL” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “WAY LESS SAD” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “DON’T THROW OUT MY LEGOS” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “100 BAD DAYS” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “BURN THE HOUSE DOWN” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “WEAK” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry “2085” Written and Arranged by Ryan and Jack Met, Performed by Ryan Met, Jack Met, Adam Met, Arnetta Johnson, Ginny Luke, and Chris Berry AJR |
Trivia[]
- Hole In The Bottom Of My Brain, God Is Really Real, and Turning Out Pt. iii were not sang in the album's release show in 2023.
- God Is Really Real and Turning Out Pt. iii were played during the tour, leaving Hole In The Bottom Of My Brain the only song in the album to not be played live.
- Hole In The Bottom Of My Brain is the only song that was not sang in The Maybe Man Tour.
- Norfolk, Virginia was initially the debut show for the tour on April 2, 2024. However, due to issues regarding the venue, the location was postponed to May 23, 2024.
- A mashup of I Won't and Birthday Party was played.
- The mashup came from a video from a YouTuber, 1 Sip, Bad For Me.[1]
- The intro for Inertia was made very theatrical.
- During Steve's Going To London, Jack has very limited time to return from the bleachers to the stage.
- For venues with longer distances, Adam will introduce the audience to the other band members with their own solos.
- At one of the tours, during World's Smallest Violin, Ryan almost got grabbed by security trying to get into the bleachers.
- During 100 Bad Days, a fake stage light falls out from the ceiling and is staged to seem real, with Ryan saying "This is not a part of the show". Jack later dresses up with a headmask as a janitor on stage to clean the fake light. As he reveals himself, text appears on the top screen, "IT WAS PART OF THE SHOW!"
- During the Baltimore, MD show, a screen got misaligned sometime after Yes I'm A Mess.
- Another had an issue where the kabuki for Bang! wasn't set up in time.
- During the NY, Madison Square Garden show, the lights go off early in the finale of 2085.
- In Boston, TD Garden, during the end of Steve's Going To London, all of the staff went on stage as a finale of the US tour.
- In locations where the concert is performed twice, The Dumb Song is played in place of Don't Throw Out My Legos for the second show.
- On the Seoul performance, there are several changes to the show:
- On the Seoul stage, there is only 1 screen used for visuals rather than there being 1 main screen, the 2 side screens and the 6 top screens used for visuals during most of the US sets.
- Bang! and 100 Bad Days were swapped with 100 Bad Days appearing first and Bang! as the penultimate song.
- Adam Met did not appear on the stage, due to him attending the Democratic National Convention.
- Ginny Luke was also not there either.
- Maybe Man was not played, except the 'pandemonium' section.
- Extra Jacks running around the stage weren't present.
- During Yes, I'm A Mess, the lack of a treadmill meant Jack had to perform pretending to walk. They also used the original treadmill visuals, instead of the more theatrical TMM tour version.
- Karma was played normally without Jack floating in space.
- Additonally, the entire band appeared on stage.
- During Way Less Sad, the "How We Made" part during the 'library' and the 'restaurant' scenes were conducted center of the stage rather than going left and right in most of the US shows.
- The ending song is Weak and it ends with a marching band similarly to The Click Tour. After this, there are no credits.
- On Jacksonville, during Steve's Going to London, the crew was late, so when the lights turn on after the bridge they weren't there, so Jack instead of saying "What the hell?" and "I gotta get back to stage!", says "Where are they!?" and "They're supposed to be on stage!"[2]
- The Maybe Man Tour had it own livestream concert (similar to AJR’s One Spetacular Night) that were a recorded from Philadelphia, Pennsylvania. This was called The Maybe Man Immersive Concert Experience and you could see it at October 16th and 17th.
- Two early setlists were found on closer inspection of the tour credits and The Making Of documentary, mainly just swapping songs around, particularly God is Really Real.